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The Dawn Of Italian Painting: 1250-1400

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The Dawn Of Italian Painting: 1250-1400


Condition remarks:
Condition: Good. Jacket: N/A . Page Condition: Good, white and clean. Markings: No visible markings. Binding: Appears intact and in good condition. Stickers/Labels: None visible.

A landmark work in the study of medieval art history, The Dawn of Italian Painting: 1250–1400 chronicles the transformative century and a half that laid the foundations for the Italian Renaissance. Alastair Smart presents a rigorous and authoritative survey of the period, tracing the shift from the flat, stylised conventions of Byzantine art toward a new naturalism pioneered by masters such as Cimabue, Duccio, and Giotto. With scholarly precision, the text details the major artistic centres of the era — Florence, Siena, and Rome — illuminating how regional schools developed distinct yet interrelated visual languages. Smart argues persuasively that this transitional age was not merely a prelude to later greatness, but a period of profound artistic achievement in its own right. Richly illustrated and meticulously researched, it remains an essential reference for students and enthusiasts of Italian and European art history alike.

$3.55

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The Dawn Of Italian Painting: 1250-1400—

$10.15

$3.55

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Condition remarks:
Condition: Good. Jacket: N/A . Page Condition: Good, white and clean. Markings: No visible markings. Binding: Appears intact and in good condition. Stickers/Labels: None visible.

A landmark work in the study of medieval art history, The Dawn of Italian Painting: 1250–1400 chronicles the transformative century and a half that laid the foundations for the Italian Renaissance. Alastair Smart presents a rigorous and authoritative survey of the period, tracing the shift from the flat, stylised conventions of Byzantine art toward a new naturalism pioneered by masters such as Cimabue, Duccio, and Giotto. With scholarly precision, the text details the major artistic centres of the era — Florence, Siena, and Rome — illuminating how regional schools developed distinct yet interrelated visual languages. Smart argues persuasively that this transitional age was not merely a prelude to later greatness, but a period of profound artistic achievement in its own right. Richly illustrated and meticulously researched, it remains an essential reference for students and enthusiasts of Italian and European art history alike.

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