🚚 Free Worldwide Shipping on All Orders!Shop Now
HomeStore

A Distant Music: The Life And Times Of Alfred Hill 1870-1960

Product image 1

A Distant Music: The Life And Times Of Alfred Hill 1870-1960


Condition remarks:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good
Markings: Previous owner

This authoritative biography chronicles the remarkable life of Alfred Hill, one of the most significant yet underappreciated composers in Australasian musical history, tracing his journey from his birth in 1870 through nine decades of artistic and cultural contribution. John Mansfield Thomson presents a richly detailed portrait of a musician who bridged two worlds — the colonial concert halls of Australia and New Zealand and the broader currents of late Romantic European composition — weaving together personal narrative with sweeping historical context. The work illuminates Hill's deep engagement with Māori musical traditions, a pioneering and controversial aspect of his compositional identity that set him apart from his contemporaries. Thomson's prose is measured and scholarly yet never dry, drawing on extensive archival research to reconstruct the social and cultural landscapes that shaped Hill's output across symphonies, string quartets, and operas. A Distant Music stands as an essential record for anyone seeking to understand the foundations of classical music in the Antipodes and the complex interplay between settler culture and indigenous artistic heritage.

$10.15
A Distant Music: The Life And Times Of Alfred Hill 1870-1960—
$10.15

Product Information

Shipping & Returns

Description


Condition remarks:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good
Markings: Previous owner

This authoritative biography chronicles the remarkable life of Alfred Hill, one of the most significant yet underappreciated composers in Australasian musical history, tracing his journey from his birth in 1870 through nine decades of artistic and cultural contribution. John Mansfield Thomson presents a richly detailed portrait of a musician who bridged two worlds — the colonial concert halls of Australia and New Zealand and the broader currents of late Romantic European composition — weaving together personal narrative with sweeping historical context. The work illuminates Hill's deep engagement with Māori musical traditions, a pioneering and controversial aspect of his compositional identity that set him apart from his contemporaries. Thomson's prose is measured and scholarly yet never dry, drawing on extensive archival research to reconstruct the social and cultural landscapes that shaped Hill's output across symphonies, string quartets, and operas. A Distant Music stands as an essential record for anyone seeking to understand the foundations of classical music in the Antipodes and the complex interplay between settler culture and indigenous artistic heritage.