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The Stasi Poetry Circle: The Creative Writing Class that Tried to Win
'Engrossing.' -Observer 'Remarkable.' - The Times 'Magnificent.' - Phillipe Sands 'Gripping.' - Literary Review 'A history so outlandish and unlikely that you feel it must be true . . .[A] grippingly well-written book.' - Anthony Quinn, Observer Book of the Week In 1982, East Germany's fearsome secret police - convinced that writers were embedding subversive messages in their work - decided to train their own writers, weaponising poetry in the struggle against the class enemy. Once a month, a group of soldiers and border guards gathered in a heavily guarded military compound in East Berlin for meetings to learn how to write lyrical verse. Journalist Philip Oltermann spent five years rifling through Stasi files, dig-ging out lost volumes of poetry and tracking down surviving members of this Red poet's society, to illustrate the little known story in which spies turned poets and poets spies.
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'Engrossing.' -Observer 'Remarkable.' - The Times 'Magnificent.' - Phillipe Sands 'Gripping.' - Literary Review 'A history so outlandish and unlikely that you feel it must be true . . .[A] grippingly well-written book.' - Anthony Quinn, Observer Book of the Week In 1982, East Germany's fearsome secret police - convinced that writers were embedding subversive messages in their work - decided to train their own writers, weaponising poetry in the struggle against the class enemy. Once a month, a group of soldiers and border guards gathered in a heavily guarded military compound in East Berlin for meetings to learn how to write lyrical verse. Journalist Philip Oltermann spent five years rifling through Stasi files, dig-ging out lost volumes of poetry and tracking down surviving members of this Red poet's society, to illustrate the little known story in which spies turned poets and poets spies.












